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"What's My Historic period Again?"
WhatsMyAgeAgain.jpg
Single by Blink-182
from the album Enema of the Country
Released April thirteen, 1999
Recorded January–March 1999
Genre Pop punk
Length 2:26
Characterization MCA
Songwriter(s)
  • Mark Hoppus
  • Tom DeLonge
Producer(due south) Jerry Finn
Glimmer-182 singles chronology
"Josie"
(1998)
"What's My Age Again?"
(1999)
"All the Small Things"
(2000)

"What's My Age Once again?" is a song by American rock ring Blink-182. It was released in April 1999 as the lead single from the grouping's third studio album, Enema of the State (1999), released through MCA Records. "What's My Age Again?" shares writing credits between the ring's guitarist Tom DeLonge and bassist Mark Hoppus, but Hoppus was the primary composer of the song. It was the band's first single to feature drummer Travis Barker. A mid-tempo pop punk song, "What's My Age Again?" is memorable for its distinctive, arpeggiated guitar intro.

The vocal lyrically revolves around the onset of age and maturity, and the failure to implement changes in ane'southward beliefs. Hoppus declined to label the vocal as autobiographical, but admitted that he spent his twenties acting immature. The trio recorded the song with producer Jerry Finn. It was originally titled "Peter Pan Complex", an innuendo to the pop-psychology concept, but the record label found the reference obscure and adjusted the championship. The song's signature music video famously features the band running nude on the streets of Los Angeles. It received heavy rotation on MTV and other music video channels.

Information technology became ane of the band'due south best-performing singles, peaking at number two on Billboard 's Modernistic Stone Tracks chart in the U.S. for 10 weeks. The song placed at number three in Italian republic and number 17 in the Britain. Primarily an airplay hit, the vocal was the ring'due south first to cross over to pop radio, hitting number 58 on the Billboard Hot 100. The song received positive reviews and has been called a archetype pop punk track; NME placed information technology at number 117 on its list "150 Best Tracks of the By fifteen Years" in 2012.[1]

Background and writing [edit]

Bassist and vocalist Mark Hoppus initially equanimous the vocal as a joke.

Glimmer-182, consisting of bassist Mark Hoppus, guitarist Tom DeLonge, and drummer Scott Raynor, formed in the early on 1990s, and by the end of the decade, had reached commercial success with their 2d album, 1997's Dude Ranch. Its atomic number 82 single, "Dammit (Growing Up)", became one of the most-played U.S. modern rock hits of 1998,[2] sending its parent album to a gold certification and bringing the members newfound notoriety and wealth. With his first advance from major-label MCA, Hoppus purchased a home in the ring's hometown of San Diego, California. Hoppus developed "What's My Age Again?" while sitting on the flooring and playing guitar in his kitchen/living room.[3] He was attempting to play the vocal "J.A.R." by Green Twenty-four hours, which has a distinctive intro on bass guitar. While practicing playing the riff, Hoppus came upwards with a new song derived from his failure to perform the role correctly.[iv]

Though he initially developed it as a vulgar joke song,[v] he felt it had potential every bit a regular melody. Hoppus claims information technology took him five minutes to write. He subsequently presented the song to the band while rehearsing at DML Studios in Escondido, California, where they had booked time for two weeks to write new songs.[half dozen] Before that twelvemonth, Raynor had been expelled from the group and replaced with percussionist Travis Barker, previously of the ska-punk act the Aquabats. He and DeLonge found the limerick agreeable and further developed information technology in the rehearsal space. The story in the vocal is non strictly autobiographical, but its central theme resonated with Hoppus, who spent his twenties by his own admission "acting like a jackass teenager".[7] Barker agreed, after commenting: "[Marker] was a grown man but kept acting like a child."[6] Many Blink songs center on maturity—"more specifically, their lack of it, their mental attitude toward their lack of it, or their eventual wide-eyed exploration of it" according to author Nitsuh Abebe.[eight]

Limerick [edit]

"What'south My Historic period Once more?" is credited to Tom DeLonge and Mark Hoppus.[ix] Though Barker helped write the songs on Enema of the State, only Hoppus and DeLonge received songwriting credits, equally Barker was technically a hired musician, non official band fellow member.[10] The vocal is ii minutes and xx-eight seconds long. The song is equanimous in the central of F-precipitous major and is set in time signature of common time with a driving tempo of 158 beats per minute. Hoppus' vocal range spans from Cthree to F4.[11] It follows a I–V–half dozen–IV chord progression, common across several genres of music. The band utilize the progression in numerous other singles; music educator and author Dan Bennett claims the progression is sometimes chosen the "pop-punk progression" considering of its frequent utilize in the genre.[12] The song is incredibly cursory compared to most singles; inside 1 minute, virtually two total verses and a chorus take been completed, and information technology in total runs ii minutes and twenty-vi seconds.[3]

The song opens with a catchy, arpeggiated guitar role, following the song'southward chords in playing the root of each chord. The part has been considered catchy to perform; given its quick, articulated nature, it tin can be difficult to skip over the strings properly.[three] Hoppus'due south bass line, which has been compared to the Pixies' song "Debaser",[thirteen] situates on the root notes of each chord.[12] The song's get-go poesy detail an intimate relationship gone awry. Hoppus sings of wearing cologne in hopes to impress a daughter on a weekend date. Upon returning home, foreplay ensues, during which the protagonist begins watching television.[fourteen] This prompts his insulted partner to get out, leading into the vocal's chorus, in which Hoppus sings that "nobody likes you when you're 23." Hoppus was 25 when he wrote the vocal, and but included the lyric to rhyme. The song utilizes power chords in its chorus, and substitutes the arpeggiated intro for palm-muted power chords in the succeeding verse.[three]

Each chorus is lyrically distinct, which was ane of Hoppus'southward original goals; he felt this approach kept the song interesting and avant-garde the story in a creative way. Hoppus had once read that "the best art is the evolution of familiarity": an artist introduces an idea, a listener connects with it, and the creative person slightly alters the original idea to retain a familiar feeling.[3]

Recording and product [edit]

"What's My Age Again?" was the trio's first single with drummer Travis Barker.

Afterward further evolution, the group presented information technology to producer Jerry Finn. A veteran engineer, Finn came to fame mixing Green Day's breakthrough album Dookie (1994). Finn was suggested by the label equally an choice for producing Enema of the State; the band got along with him immediately, and continued to work with him on their future projects. Finn would suggest and brand adjustments where necessary, though in the case of "What'due south My Age Again?", he had little notes. By the time Hoppus presented the song to his bandmates, the commencement verse and chorus were written, with its second verse and bridge section needing further work. Hoppus and DeLonge crafted an instrumental bridge that went on for eight measures, which all agreed felt too long.[iii] Finn assisted in shortening the department, and the group recorded a demo at DML Studios.

Inside the new year, the group recorded the song proper. The drums on Enema of the State were tracked at Mad Hatter Studios in North Hollywood, a space one time owned past jazz musician Chick Corea. Hoppus remembered that Finn was meticulous in recording the kit, spending hours on microphone placement, as well as picking compressors and at which charge per unit they would run.[3] Barker recorded his drum portions, too as the rest of the album'south twelve songs, in eight hours.[15] From there, Hoppus and DeLonge recorded their bass and guitar tracks at multiple studios throughout Los Angeles and San Diego.[9] The band brought in session musician Roger Joseph Manning Jr.—best known for his career in the band Jellyfish and work with Brook—to add keyboard parts in the groundwork of the song.[16]

The song originally ended later on its final chorus. While recording, Hoppus liked how the arpeggiated chord progression continued over the rhythm guitar line in the last chorus, and wished to extend its length to highlight this element. In the pre-digital recording environment, this required the squad to "bounce" the mix from the analog tape recorder (a 24 track ii-inch tape) to some other tape, and splice the recordings together. With recording complete, the song was sent to engineer Tom Lord-Alge, who mixed the vocal at his South Beach Studios facility in Miami Beach, Florida.[17] Lord-Alge had had previously remixed the Dude Ranch singles "Dammit" and "Josie" for radio, and would work with the grouping frequently in the time to come. Lord-Alge added subtle touches, including a panning effect for the title phrase in the last chorus.[3]

Release and chart functioning [edit]

The song's championship originally referenced fictional children's grapheme Peter Pan.

The working title for the song was "Peter Pan Complex",[eighteen] referencing the pop psychology concept of an developed who is socially young. Executives at MCA Records were uncertain that listeners would connect with the title, given information technology goes unmentioned in the vocal's lyrics. Previously, the label had appended parentheses to its two stateside singles from Dude Ranch: "Dammit (Growing Upward)" and "Josie (Everything's Gonna Be Fine)". The label was too concerned virtually litigation from the Walt Disney Company, who held rights to the name post-obit their flick adaption.[3] The ring disliked the proffer,[19] but given the creative freedom MCA had afforded them throughout recording, agreed to the alter. Hoppus later conceded the new title made more sense and "feels right".[3] Band management and label executives saw a strong single in "What's My Age Again?" although DeLonge felt otherwise: "I didn't understand it, because upwardly to that point, we hadn't had a big single."[19]

Commercially, "What'south My Age Once again?" became one of the ring'south all-time-performing singles. It was picked as the lead unmarried from Enema of the State. It was showtime serviced to radio in April 1999, and premiered on KROQ-FM, an influential Los Angeles alternative station. Hoppus remembered the group were finalizing mixing the album when the song debuted.[twenty] The song did best on Billboard 'due south Modernistic Rock Tracks nautical chart; the song first entered the chart during the week of May viii, where information technology debuted at number 21.[21] It first hitting the acme 5 during the week of June 5,[22] and hit number ii on July 24,[23] where it remained for ten weeks behind the Red Hot Chili Peppers' "Scar Tissue".[24] The song crossed over to mainstream radio in mid-1999, where it debuted at number 71 on the Billboard Hot 100 on July 17.[25] Information technology later peaked at number 58 in the issue dated Oct 23.[26] The song had previously peaked at number 51 on the Hot 100 Airplay chart on September xi.[27] In the U.k., the song was released twice, first on September 20, 1999, and once more on June 26, 2000, following the success of "All the Small Things.[28] [29] The 2000 re-release peaked at number 17 on the UK Singles Chart.[30]

Critical reception [edit]

The truth is that it was ever a little strange for grown men to exist writing songs about prom night and other high-school pitfalls, but "What's My Age Again?" works so well considering information technology tackles that strangeness head-on. Aside from featuring Blink's almost recognizable riff this side of "Dammit", the song is an honest, relatable cess of what it feels like to be dragged kicking and screaming into adulthood. It'due south rock and curl as escape, aye, but likewise equally a kind of backpedaling. Let the rock bands of the '70s champion sex and drugs; these guys just want to recollect what it feels similar to be kids again.

—Collin Brennan, Result of Sound [31]

Carrie Bell at Billboard accounted the song a "peppy punk anthem"[7] while Spin columnist Jeffery Rotter called it an "ideal tonic for dorsum-to-school nausea."[32] A Kerrang! writer chosen the vocal "ridiculously infectious,"[33] while the New Musical Express (NME) derided the vocal as "more than mindless, punk-pop guitar thrashing from the world's current favorite American brats ... on the plus side, the song — much like Blink-182's career, we promise — simply lasts for two-and-a-half minutes."[30] Stephen Thompson, writing for The A.V. Society, complimented its tricky sensibility, remarking, "you'll never become bankrupt creating an canticle for immature post-adolescents, even working within a well-worn genre."[34]

After reviews have subsequently been positive. Jon Blisten of Beats Per Minute deemed information technology one of the tape'due south "finest songs," calling it a "twisted, self-depreciating test of man-children."[35] In 2014, Chris Payne of Billboard called information technology "the quintessential Glimmer manifesto — the story of a twenty-something who still acts like a child."[36] The website Consequence of Sound, in a 2015 top 10 of the band's best songs, ranked it equally number six, with writer Collin Brennan observing that its title is "the question underpinning the unabridged Glimmer ethos".[31]

Music video [edit]

Filming [edit]

The opening shot depicts the band running nude down third Street in Los Angeles.[37]

The music video for "What's My Age Again?", directed by Marcos Siega, features the band running in the nude through the streets of Los Angeles, equally well as through commercials and daily news programs.[38] It was filmed shortly later on completing the anthology, and was co-directed by Brandon PeQueen. Siega and PeQueen adult the idea from the band's onstage antics; Barker would often strip down to his boxers due to heat, while Hoppus would sometimes disrobe entirely, with just his bass guitar covering his genitals.[39] Siega had known the ring for many years at that bespeak, having seen them play pocket-size clubs years before.[40] He partially credited the idea to a late-dark talk show segment most a streaker. Hoppus and DeLonge were immediately receptive to the idea; Barker less and then. "My brain kept going to the sort of anti-establishment punk rock ethic that I associated them with. But not in an aggro way. They always came across to me every bit doing it with a wink," Siega later recalled.[16]

The group wore flesh-colored Speedos for most scenes.[41] The clip features a cameo appearance by porn star Janine Lindemulder, the model featured on the cover of Enema of the State.[42] Barker remembered that motorists "kept staring at u.s.a. and honking their horns," and that the entire filming took nearly xv hours. "They near got into accidents," Hoppus told Rolling Stone.[43]

Popularity [edit]

The video offset began receiving airplay in early May 1999, debuting on U.S. boob tube channels MTV, MTV2 and The Box.[44] The video was MTV'southward 2nd-nearly played video for the calendar week catastrophe August 1,[45] and remained a popular video on the channel for over 2 years.[46] The video was nominated for Best Alternative Video at the 2000 MVPA Awards,[47] just lost to Foo Fighters' "Larn to Fly".[48] The ring referenced the clip at the 1999 Billboard Awards, which opened with a clip of the band streaking through Las Vegas,[49] as well as through appearances on Total Request Live and the scripted sitcom Two Guys, a Girl and a Pizza Identify.[50] Amusement Weekly writer Chris Willman called the video "ubiquitous".[14]

Marcos Siega, the video'south director, in 2014.

The video gave the ring a reputation for nudity,[38] leading many critics to pigeonhole them every bit a joke act.[14] "It became something of an albatross as band members grew up," wrote Richard Harrington of The Washington Post.[l] "Y'all know, when we were filming the video for "What's My Historic period Once again?" the whole naked thing was just funny for similar ten minutes. And then, I was the guy standing naked on the side of the street Los Angeles with cars driving by me giving me the finger and shit. It's funny watching the video now, but at the time, it stopped existence funny 10 minutes in, and it definitely wasn't funny 3 days into it," recalled Tom DeLonge.[38]

This reputation would atomic number 82 the ring members to take control of their marketing and epitome, as DeLonge later commented in 2014:

We were and so naïve that we would run around naked, merely they'd brand it all sleeky and put information technology on posters and brand information technology wait like we actually were some kind of erotic boy ring or some shit. We were coming from the punk scene, but the label fashioned a whole thing around us that we didn't fifty-fifty understand; we were just kinda caught up in it. And so it took us a picayune bit to dig out of that and come dorsum to who we really were. And it'south difficult to practise that once people spend millions of dollars making y'all into something visually that we weren't.[51]

Legacy [edit]

"What'due south My Age Again?" has endured every bit amid the ring's most popular songs, and has widely been considered a watershed moment for pop punk as a genre. Several of the group's contemporaries ranked the song among the most genre'southward nearly influential, including Jack Barakat of All Time Low, Pierre Bouvier and Chuck Comeau from Simple Plan, and Tyson Ritter of the All-American Rejects.[52] Rolling Stone 'south Nicole Frehsée wrote that, "For a new generation of emo fans and bands, Blink'southward irreverent, upbeat take on punk stone with hits like "What'southward My Age Again?" and "All the Small Things" was hugely influential."[53] Twenty years later the song's release, Hoppus noted that fans often decorate birthday cakes on their 23rd birthday with the lyric "Nobody likes you when you lot're 23", which he felt was an honor.[3] The band afterward paid homage to the song'due south infamous video in the music video for their 2016 single "She's Out of Her Heed". The clip sees modern-day social media personalities running in the nude in Los Angeles. Lindemulder'south identify in the video was taken by actor and comedian Adam DeVine.[54]

The Hollywood Reporter 's Mischa Pearlman, in a review a 2013 concert by the group, wrote that the song "visibly infects every member of the audition. Because it'southward a song that recalls the reckless abandon of youth, and the abandon of growing up."[55] Although the magazine gave the song a scathing review upon its initial release,[30] NME placed it at number 117 on its listing "150 Best Tracks of the Past fifteen Years" nigh thirteen years later, writing, "Few songs capture the urge of wanting to human activity stupid and be immature as well as this 2000 single does. [...] This is everything popular punk does well. Its guitar riffs seem to take been soaked in Relentless and its chorus makes you desire to leap around the room. It's been imitated thousands of times since, but zip'south come close to this..."[56]

By the belatedly 2000s, club promoters in the U.Grand. created nights based around lasting appreciation of the pop punk genre, including one named afterward "What'south My Age Again?", described every bit a dark celebrating "pop-punk, youthful abandon and teenage anarchism".[57] British radio station BBC Radio one have a section on i of their shows named after the single and using it as the theme song. Greg James originated the game on his drivetime evidence, and has moved it to The BBC Radio 1 Breakfast Prove. The game sees Greg pitted against an opponent, typically a swain Radio i DJ/presenter or glory guest. In the game, three listeners telephone in and talk to the competitors, who have it in turns to enquire questions, then try to guess the listeners' historic period.

On March 26, 2019, the song was lauded by Princeton professor of music Steven Mackey during an interview betwixt Hoppus and Mackey given at Princeton University.[58] Mackey praised the lyrics past saying, "it's very much this portrait of this kind of 23 twelvemonth one-time... Peter Pan complex", noting his enjoyment of the structure of the song, too as its tone. Mackey stated, "after the 2nd chorus at that place's this instrumental break. And at that place'southward a lot of instrumental breaks in glimmer, which I really like. This one in particular, it goes to a minor key. Suddenly, it's kind of melancholy. And when they come out of that instrumental break, and I hear the rest of the words, it'due south sort of like... I feel like, wow, was that a moment of reflection? So it's similar, 'Ah, fuck it. Whatever.' It has that feeling. It sort of deepens information technology for me."[59]

Mashup [edit]

"What'due south My Age Again? / A Milli"
Unmarried by Blink-182 and Lil Wayne
Released August 23, 2019 (2019-08-23)
Genre
  • Pop punk
  • rap rock
Length 2:25
Characterization Columbia
Songwriter(southward)
  • Mark Hoppus
  • Travis Barker
  • Tom DeLonge
  • Dwayne Carter
  • Ali Shaheed Muhammad
  • Kamaal Ibn John Fareed
  • Shondrae Crawford
Blink-182 singles chronology
"Darkside"
(2019)
"What'due south My Age Again? / A Milli"
(2019)
"I Really Wish I Hated You"
(2019)
Lil Wayne singles chronology
"Be Similar Me"
(2019)
"What'southward My Historic period Over again? / A Milli"
(2019)

In May 2019, the band recorded a live mashup of the song with hip hop artist Lil Wayne, to promote their joint headlining tour.[60] The track combines "What's My Historic period Once again? and Wayne's 2008 single "A Milli". The duo later released a joint digital unmarried featuring a studio version of the mashup in Baronial of that twelvemonth.[61] The rail features Matt Skiba, who replaced founding guitarist Tom DeLonge in 2015, performing backing vocals and guitar. A press release promoted the new version, which was released to promote the second leg of the aforementioned bout, as a "new accept on the track."[62]

The Fader contributor Jordan Darville noted that Wayne contradistinct a lyric from his original verse, substituting the term "crackers" for "bitches".[63]

Credits and personnel [edit]

Original version [edit]

Credits adapted from the liner notes of Enema of the State.[9]
Locations

  • Recorded at Signature Sound, Studio West, San Diego California; Mad Hatter Studios, The Bomb Factory, Los Angeles, California; Conway Recording Studios, Hollywood, California; Big Fish Studios, Encinitas, California
  • Mixed at Conway Recording Studios, Hollywood, California; South Beach Studios, Miami, Florida

Personnel

Mashup version [edit]

Credits adjusted from the YouTube video for "What's My Historic period Once more?" / "A Milli". Barker is credited with songwriting on this edition, as opposed to his original credits for Enema of the Country.[64]
Personnel

Blink-182
  • Mark Hoppus – bass guitar, vocals, songwriting
  • Matt Skiba – guitars, vocals
  • Travis Barker – drums, percussion, songwriting

Additional musicians

  • Shondrae Crawford – songwriting
  • Tom DeLonge – songwriting
  • Kamaal Ibn John Fareed – songwriting
  • Ali Shaheed Muhammad – songwriting
  • Lil Wayne – vocals, songwriting

Product

  • Matt Malpass – engineer
  • Rich Costey – mixing engineer
  • Chris Athens – mastering engineer

Charts and certifications [edit]

References [edit]

Footnotes [edit]

  1. ^ "150 All-time Tracks Of The Past 15 Years". Nme.Com. Retrieved Jan 12, 2012.
  2. ^ "The Twelvemonth in Music 1998: Hot Modern Rock Tracks" (PDF). Billboard. Dec 26, 1998. p. YE-84.
  3. ^ a b c d east f g h i j one thousand DeMakes, Chris (October 19, 2020). Chris DeMakes a Podcast. Ep. 21: Mark Hoppus discusses glimmer-182's "What's My Age Once more?". Spotify.
  4. ^ Aniftos, Rania (Oct 10, 2020). "Glimmer-182's Mark Hoppus Reveals the Greenish Day Song That Inspired 'What's My Age Again?'". Billboard . Retrieved November 2, 2020.
  5. ^ "Blink-182: Inside Enema". Kerrang! (1586): 24–25. September 16, 2015.
  6. ^ a b Barker & Edwards 2015, p. 122.
  7. ^ a b Bong, Carrie (August 14, 1999). "The Modern Historic period". Billboard. Vol. 111, no. 33. p. 99. Retrieved June 1, 2014.
  8. ^ Nitsuh Abebe (September 25, 2011). "Sentimental Education". New York. Archived from the original on September six, 2012. Retrieved September 5, 2012.
  9. ^ a b c Enema of the State (liner notes). Blink-182. United states: MCA. 1999. 11950. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ Barker & Edwards 2015, p. 119.
  11. ^ "Glimmer-182 What's My Age Again? – Digital Sheet Music". Music Notes. EMI Music Publishing. Retrieved April xx, 2011.
  12. ^ a b Bennett, Dan (2008). The Total Rock Bassist, p. 63. ISBN 978-0739052693
  13. ^ "Record Club: Revisiting Glimmer-182′s 'Enema of the Country'". Wondering Sound. October 14, 2014. Retrieved December 12, 2014.
  14. ^ a b c Willman, Chris (February 25, 2000). "Nude Sensation". Entertainment Weekly. New York City: Time Inc. (527). ISSN 1049-0434. Archived from the original on January 27, 2013. Retrieved January seven, 2013.
  15. ^ Barker & Edwards 2015, p. 123.
  16. ^ a b Siegel, Alan (July 31, 2019). "Don't Grow Up, Blow Up: The Rise of Glimmer-182". The Ringer. Archived from the original on July 31, 2019. Retrieved July 31, 2019.
  17. ^ Tingen, Paul (Apr ane, 2000). "Tom Lord-Alge: From Manson To Hanson". Sound on Sound.
  18. ^ Hoppus, Mark (2000). Glimmer-182: The Mark Tom and Travis Prove 2000 Official Programme. MCA Records. p. 14.
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  30. ^ a b c Shooman 2010, p. 69.
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  32. ^ Rotter, Jeffery (November 1999). Naughty by Nature. Spin. Retrieved September 7, 2012.
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  34. ^ Thompson, Stephen (June ane, 1999). "Review: Enema of the State". The A.V. Gild. Archived from the original on October 22, 2012. Retrieved July eighteen, 2012.
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  37. ^ Murphy, Desiree (June 19, 2019). "Blink-182 Reacts to Their Best 'Enema of the Country' Videos 20 Years Later (Exclusive)". ETOnline.com . Retrieved July 31, 2019.
  38. ^ a b c Hoppus 2001, p. 97.
  39. ^ Barker & Edwards 2015, p. 124.
  40. ^ "Marcos Siega: The Rock Guy". MTV News. 2000. Retrieved March 5, 2015.
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  54. ^ Brittany Spanos (October 20, 2016). "Sentry Blink-182 Recreate 'Historic period' Video in 'She'southward Out of Her Mind' Clip". Rolling Rock . Retrieved October 21, 2016.
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Sources [edit]

  • Barker, Travis; Edwards, Gavin (2015). Can I Say: Living Large, Adulterous Death, and Drums, Drums, Drums. William Morrow. ISBN978-0-06-231942-5.
  • Hoppus, Anne (Oct 1, 2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-iv.
  • Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Return. Contained Music Printing. ISBN978-i-906191-x-eight.

External links [edit]

  • Music video on YouTube

belladal1961.blogspot.com

Source: https://en.wikipedia.org/wiki/What%27s_My_Age_Again%3F

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